Review: The Editor by Steven Rowley

Alexis: 

What I liked: I like Rowley’s writing style. I remember liking it a lot in his other book, Lily and the Octopus. His dialogue is always on-point and funny, and I enjoy his imagery. 

I also really liked James as a character. I found him funny, and I enjoyed reading about his relationship with Daniel. I don’t think I’ve ever read a book set in the 1990’s, and I enjoyed the political climate and the history of the book.

What I disliked:

I really couldn’t get into this until about halfway through. James’ story was a little too boring at first, and I found myself skimming a lot of the details. I wanted to have more of James’ backstory earlier on in the story.

My biggest issue with the book was with Jackie Kennedy as a character. I could tell that Rowley was being careful with how he wrote her, and because of this, she never felt fully fleshed out as a character. I’m not a huge fan of historical people being one of the main characters in books, and I don’t think she served a good enough purpose. In my opinion, the editor would’ve made more of an impact in the story if Rowley had made up a famous editor and created a backstory for her. 

There was also an event towards the end of the book which I felt like didn’t fit into James’ character, and was a little too on the nose. 

Overall, I liked James and Daniel, and as a writer myself, I enjoyed reading about James writing his novel. But the slow plot and Jackie’s character dragged this down a star.

VERDICT: 3 stars

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Review: We Never Asked for Wings by Vanessa Diffenbaugh

Alexis:

Anna and I both read The Language of Flowers by Vanessa Diffenbaugh years ago and we loved it. We Never Asked for Wings has some similar themes: pregnancy, motherhood, family, and honesty.

The book opens when Letty, a young and troubled mother of two, leaves her children alone to go to Mexico to find her parents. Her parents were living with her and taking care of her children, and she doesn’t know how to be a mother.

The story mostly alternates between Letty and her young teenage son, Alex. While Letty navigates motherhood, Alex navigates school and a budding relationship with a girl named Yesenia, all while caring for his six-year-old sister Luna and searching for the father he’s never known.

I mostly connected with Alex as a character, as his dreams and motivations felt real and true to character. He was a good and innocent character who happened to be in a bad situation. However, because the story did focus on him so much, the book tended to lean towards a more YA vibe.

I think Diffenbaugh did a good job with certain struggles of the Espinosa family, such as poverty and citizenship.

However, I struggled to connect with Letty. She was almost overly flawed, so much so that I disliked reading about her character. I was annoyed with all of her actions. She neglected her family and continued to make a string of bad decisions, including getting her son drunk. She had some almost-redeemable moments towards the end, but it wasn’t enough of a character arc for me.

My biggest problem with the book is that you can tell Diffenbaugh struggled to write the story. In the acknowledgments, Diffenbaugh says, “They say book two is hard. Whether or not this is true I don’t know, but I believed it to be true, and so this book was hard for me. Really hard.”

While I enjoyed the overall core of the story, as well as the motif of bird and feathers, parts of this book felt off. When Wes, Alex’s father, is finally introduced, he never feels like a round character. He, and his personality and motivations, just sort of hover in the story.

The events in the latter part of the book feel too melodramatic. While somewhat believable, Alex’s actions are a little too out of character. And after all the dramatic events at the end, it wraps up just a little too nicely.

VERDICT: 3 stars

 

Review: The Light We Lost by Jill Santopolo

Alexis:

I liked the first half of The Light We Lost—not the prologue, but I’m not really a fan of prologues unless they give important historical/background information.

The book is written in first person in the eyes of the main character, Lucy. Throughout the book, she addresses a “you,” which refers to her first love, Gabe. Each chapter ends with Lucy posing a question, or a series of questions, to Gabe. At first, I liked this formatting, but it got repetitive and old fast.

The beginning of the book focuses on their relationship, which lasts just over a year. Their relationship is a classic first love relationship. Lucy and Gabe are infatuated with each other, and their relationship mostly focuses on their physical chemistry. They share their hopes and dreams with each other while living in New York City.

Then they break up. I liked reading about Lucy’s grief and seeing how she deals with her loss. Lucy moves on; Lucy meets another guy. Yet Gabe is ever-present, whether in the back or the front of her mind. Even five, ten years down the road, all Lucy can think about is Gabe, and this begins to feel repetitive and, frankly, annoying.

I kept yelling (metaphorically, of course), “Lucy, you are a grown, married woman! Get a grip and stop only thinking about yourself!”

And, ultimately, this is what I have a problem with in the second half of the book. The characters become self-absorbed and predictable. I simply didn’t care about them anymore. The plot rambles, and most of it deals with Lucy’s feelings of insecurity in her relationship and her life.

Of course. That was my first thought about the ending: of course that’s how it would end. I might have been on board if Lucy finally changed at the end, if she grew up and accepted what wasn’t meant to be, but she didn’t.

VERDICT: 3 out of 5 books

Review: Tin Man by Sarah Winman

Alexis: Read 11/28/18

“I said to him that just because you can’t remember, doesn’t mean the past isn’t out there. All those precious moments are still there somewhere.”

This is a poignant story of love and grief. This is a story of first loves, final loves, and dying loves.

Winman’s writing style is gorgeous. It’s simple yet raw and peppered with beautiful descriptions and lyricism. Throughout the book, her lack of quotation marks echoes Ellis’ silent grief.

I love the recurring motifs of the color yellow and Van Gogh’s Sunflowers. Nora, Ellis’ mother, is impactful and realistic, and she sticks throughout the story in the minds of both Ellis and Michael as a reminder to stay true to themselves.

Both Ellis and Michael are realistic characters. Ellis deals with his emotions by withdrawing and keeping to himself, while Michael deals with them through writing. Without giving too much away, both of them end up being more similar than either of them thought. Tin Man is an aptly named book.

I love that this book addresses the importance of art and writing, as said by Nora: “Painting flowers as a sign of friendship and welcome. Men and boys should be capable of beautiful things.”

My only criticism is that Annie does not feel as vibrant as all the other characters. I loved her introduction scene, but I wanted to understand her relationship with Ellis as deeply as I understood Ellis and Michael’s relationship.

All in all, this was a beautiful and quietly harrowing read that I highly recommend.

VERDICT: 5 stars

Review: Conversations with Friends by Sally Rooney

Anna: Read 11/26/18

I couldn’t stop reading this. It’s safe to say that I’m in love with Sally Rooney’s writing style- it’s exactly what I want in literary fiction with a modern setting. I also think it’s an accurate representation of my generation. It’s an accomplishment when a book involves technology without taking away from the quality of writing. Everything about this book feels so real. It captures the ideas and ideals of my generation so well, from fluidity when it comes to sexuality, to how frustrating it can be, as a full-time student, managing finances, friendships, and mental health.

I loved Frances as a character. All of the characterization was rich and complex, but especially the main four- Frances, Bobbi, Nick and Melissa.The relationships were complicated and meticulously fleshed out, and the dialogue felt so realistic. I was impressed by the way Frances and Nick’s arguments were written, even over email. This book is aptly named Conversations with Friends as the complexity, frequency, and realness of these dialogues is something that defines this book. These characters actually have real, interesting conversations, which is something I appreciate. There’s nothing worse than fake, fluffy conversation.

Here are some things I didn’t like.

(Below is where the spoilers live!)

I loved this book all the way through, but it would have had even more of an impact without the last chapter. The fact that it implied that Frances is going to enter into a “relationship” with Nick again takes a way a bit from the chapters before.

Frances’s endometriosis diagnosis was a bit strange. I think reproduction problems are important to talk about in fiction, and too often periods aren’t even mentioned in literature, even in explicitly feminist fiction. Though I really appreciated that aspect, I wasn’t exactly sure of its purpose in the plot. All that comes to mind is that Frances being sick interfered with her fixing things with Bobbi and Nick. It also made her think about youthfulness, womanhood, and pregnancy in a different way, especially since she thought she was having a miscarriage when she first experienced the painful symptoms. I wait to read other people’s full reviews until after I write my own, so I will be looking into other takes on this when I finish writing this.

I thought Bobbi was really annoying. She felt so condescending and controlling over Frances, even at the end when Frances had grown a lot and developed her own “real personality.” I liked how complicated and undefined their relationship was, but I couldn’t get over how preachy and elitist Bobbi is throughout the book.

A huge pet peeve I have is how easy it was for Frances to get published. There is NO WAY that her story would have been published in a prestigious journal AND that she was paid royalties for it. Frances wrote the story in one sitting, sent it in unedited, AND it was the first prose she had ever written in her life. As writers and as someone who has worked in publishing, Alexis and I and are very familiar with the publication process. Maybe it’s easier to get published in a journal in Ireland, but I doubt it.

It was funny reading about Frances interning at a literary agency, because I did that. I can say that part was realistic!

This book does so many great things and I enjoyed reading this so much that I am still considering bumming it up a rating, despite the unsatisfying ending. I can’t wait to read Normal People by Sally Rooney soon!

VERDICT: 4 out of 5 books

Review: Salvage the Bones by Jesmyn Ward

Anna: Read 11/16/18

In Salvage the Bones, Esch and her three brothers help their alcoholic brothers prepare for the arrival of Hurricane Katrina with their father, who is often drunk. Esch’s mother died giving birth to her youngest brother, Junior. Her brother Skeetah’s dog, China, gives birth to puppies, who he hopes to sell as prized fighting dogs. The oldest brother Randall is distant but protective, and Junior is always getting into trouble. But Esch has her own problem—she’s pregnant.

I loved this book! This is my second Jesmyn Ward book after Sing, Unburied, Sing. Her writing is so atmospheric that you can almost feel the sticky Southern humidity as you read. Ward is hands down one of the most lyrical writers I’ve read, and it’s amazing how she can make something as devastating as the destruction of Hurricane Katrina into something beautiful and even hopeful.

The pacing in this is fantastic and mimics the calm before a storm. As the tension builds and builds and the storm approaches, Esch’s pregnancy becomes harder to hide. I loved Ward’s foreshadowing in China’s motherhood to her puppies, the approach of the storm, and all the water/flood imagery.

I also loved the narrator, Esch, and her family, despite their many flaws. Esch’s memories of her dead mother throughout her day to day life make her as present as the other characters, and these descriptions were some of my favorite parts of the book. You can feel their mother’s love in the family by the way they remember her moving around the house, which they ultimately have to fight to save from the hurricane. Esch’s relationship with her brothers and father shifts as the events of the hurricane play out. This is a fantastic story of family and brotherly sacrifice.

Despite the fact that China was a fighting dog, I enjoyed reading about the bond between China and Skeetah. Even though I’m ethically opposed to dogspotting, I found Ward’s ability to write such calm scenes alongside the bloody ones of the dogfights, and then the destruction of the hurricane, impressive.

A word of warning: don’t read this if you can’t handle dogfighting, or other bad things happening to dogs, if you know what I mean. Honestly, this might be the reason I’m not giving it 5 stars/books. 

VERDICT: 4 out of 5 books

I highly recommend checking out Jesmyn Ward. I’ll definitely be reading the remaining two books on her backlist very soon!