Anna: Plastic is a wildly creative and unique book that manages to do so much through its absurdist premise. It’s bizarre, entertaining, and somehow it works. Thank you to Netgalley for the early review copy, Plastic is available now!
I don’t even know if I can describe the plot in a way that does it justice. Erin is a plastic “figurine” who lives in a dystopian, technologically-advanced and seemingly superficial world. But this world is a lot darker than it seems. An eco terrorist group is at large, and bombings are frequent—all of the characters have experienced the loss of a loved one, including Erin. Erin also has a secret. Her sister, Fiona, who ran away when Erin was in high school, is one of the main leaders of the terrorist group. Erin deals with the recent loss of her father and her anger at her sister by escaping into virtual reality worlds and obsessing over her favorite TV show, Nuclear Family. This is where it gets weird: the figurines only eat boiled chicken, there is a race of waffle people—yes, people who are literally waffles—and Erin breaks out into song every couple of chapters.
Each chapter is also framed as a tv show episode, complete with descriptions of camera angles and musical numbers. The dialogue is also jarring—the figurines speak to each other in an imaginary future dialogue of English that mimics text messaging, consisting of dropped nouns and babyish slang (blummo for sad, for example).
All this takes a bit to get used to as a reader, and I resented the characters at first for seeming like such airheads. But this book is as dark as it is comedic, and by the end, even the question of why each chapter is framed like a tv show episode is answered.
Tackling big topics like eco terrorism, the future of technology, capitalism, grief, trauma and more, Plastic will undoubtedly go down as one of the most surprising and memorable books I’ve ever read.
And apparently you can listen to the songs from the book on Spotify!