AUDIOBOOK REVIEW: Sadie by Courtney Summers

Anna:

Welcome to my first audiobook review! As I mentioned in my last post, I recently moved. While I haven’t had much time to read physical books, I have been enjoying listening to audiobooks while I unpack.

I’ve heard so much buzz around Sadie by Courtney Summers since it came out last September. This is a YA thriller, and though it definitely deals with some heavy and difficult themes (sexual assault, child abuse, murder, etc.) I didn’t find it very explicit. I’d definitely say it’s genre/age appropriate.

Sadie has had to be a grown up for as long as she can remember. Abandoned by her addict mother, Sadie essentially raised her younger sister, Mattie. But when Mattie was 13, she was murdered. Sadie sets out to kill the man who took her sister away from her. Meanwhile, in a complementary storyline, a podcast called The Girls has been created to retrace Sadie’s path, as Sadie has since gone missing.

First off, I think including a point of view from a podcast is brilliant. Not only is this creative, but it captures the obsession in recent years with serialized murder podcasts. This book exposes society’s fascination with murder podcasts and dead girls while also praising the attention brought to poorly-investigated deaths. (The police are utterly useless in helping with Mattie’s death and Sadie’s disappearance in this story.) Summers criticizes the use of serialized podcasts to exploit murder and sexual assault victims for listener’s entertainment, which I applaud her for.

 

Sadie is a complicated protagonist. You kind of hate her because of how stubborn she is, and yet you can’t blame her because she’s wicked strong and had a terrible childhood. Her redeeming factor is the fierce and protective love she has for her sister.

Sadie has a stutter, and her relationship with her stutter and, subsequently, her own body, is fascinating. Other people’s reaction to hearing her speak is heartbreaking. I think this is important representation for people with stutters, who I have never before encountered in literature. (Besides Quirrell in Harry Potter, and that’s definitely not a positive representation of stuttering…ouch….)

I enjoyed listening to the audiobook version of this because of the way The Girls sounds like a real podcast. The fact that the podcast has strummy, haunting intro music makes it that much more realistic. The voice of the show’s host is also spot on of what you would expect (and of course a show about two girls disappearing is narrated by a man! This feels like pointed commentary on the author’s part).

However, there are multiple voice actors in this and some of them are REALLY bad. I could have read some character’s lines more convincingly. But for the most part, I think the audiobook is well done.

I love that YA thrillers are becoming more of an established genre, and Sadie did not disappoint!

BOOK VERDICT: 4/5

AUDIOBOOK VERDICT: 4/5

Review: Burial Rites by Hannah Kent

“‘It’s not fair. People claim to know you through the things you’ve done, and not by sitting down and listening to you speak for yourself. No matter how much you try to live a godly life, if you make a mistake in this valley, it’s never forgotten. No matter if you tried to do what was best.’”

Burial Rites is historical fiction and follows Iceland’s last execution of Agnes Magnúsdóttir in 1829. Agnes has been convincted of murdering two men and is sentenced to death. While she awaits her execution, she is sent to work on an isolated family farm. Agnes has an unexpected effect on the family while she stays.

Burial Rites is very dark, but beautifully and hauntingly written. I’ve never read anything set in Iceland before, and enjoyed learning about the area and time period. This is different from a lot that I’ve read recently because from the beginning, you know what’s going to happen—Agnes is going to die. The real tension in the book is between the family, servants, and priest on the farm where Agnes resides as she awaits her impending death. There’s also the mystery of what happened that night of the two murders, and what Agnes’s role in the deaths really was.

The characters make the story. Agnes’s backstory is heartbreaking and makes her feel real. Kent made me feel sympathy for Agnes despite her murder charge.  

There are a lot of questions in this book of justice and right versus wrong. Who gets to decide when someone deserves to die? Are some people’s words more valuable than others? This can be read as an examination of the death penalty in its most ancient and barbaric forms.

Religion’s role in justice is also a prevailing theme of the book, and something I found interesting. Agnes is assigned a priest to help her find achieve absolution with God before she is executed. Agnes resists by not repenting and, slowly, begins talking as an equal with the priest. Something Agnes repeatedly questions is why she has to ask for forgiveness to a God who is allowing her to be executed.

I love historical fiction that shows the discrepancies in class, and there is a very clear class divide in this era of Iceland. Agnes is not only a murderer, but a servant accused of killing her master, which adds a level of certain guilt in the rest of society’s eyes. When she first arrives at the farm, the entire family is disgusted by her. Agnes is gradually accepted by the family despite her class and status as a convicted criminal.  

Definitely check out this fantastic debut!

VERDICT: 4 out of 5 books

Review: Nevermoor by Jessica Townsend

Nevermoor is the first installment in a series about Morrigan Crow, who was born on Eventine, the unluckiest day. Morrigan is cursed to die on midnight of her eleventh birthday. Morrigan is blamed for every misfortune in the town, and she’s kept at arm’s length from everyone, including her family. Before the clock can strike midnight on Eventide, she’s swept away to a magical land called Nevermoor by an equally magical man, Jupiter North. Jupiter prepares Morrigan to compete in four trials that, if she’s successful, will grant her entrance into the legendary Wundrous Society.  

Before reading this, I’d heard Nevermoor compared to Harry Potter, and this is true in a lot of ways (although let’s be honest, nothing can ever truly compare). Nevermoor feels like a mix of The Sorcerer’s Stone and The Goblet of Fire, because of Morrigan’s introduction to magic at age 11, and the trials being like a less deadly Triwizard Tournament. The magic system is difficult to summarize. It feels more eclectic than The Wizarding World. I’ve also heard Nevermoor called a mix of Harry Potter and Alice in Wonderland, which I’d call accurate. We also know that there is going to be a special magic school down the line. Jupiter is also a very Dumbledore-y character, as her mentor, and someone who is obviously keeping secrets from Harry. I mean, Morrigan.

Moving on from Harry Potter!

Townsend is a great writer. Nevermoor is fantastically and colorfully written. It’s clever, hilarious, and by far the most creative fantasy I’ve read in a long time. It has great worldbuilding, but still leaves much more to be explored in later books.


I love Morrigan as a character, which is one of the reasons Nevermoor is so compulsively readable. Before Nevermoor, she has never known love. She has been shamed and ostracized by her family for her entire life. She just wants a place to belong. As I mentioned before, It did get a little annoying that Jupiter keeps her in the dark for so much of the book (ahem, Dumbledore) but I understand why that this needs to happen plot-wise. The villains are sufficiently creepy and well-developed, as are the quirky host of characters in the Hotel, and Morrigan’s two close friends, Hawthorne and Jack.

Despite the fact that it’s middle grade, Nevermoor tackles dark themes, such as abuse and death. There’s also a lot of commentary for adults that I never would have picked up on as a kid, such as the discussion of illegal immigration. There’s a scene on page 428 when the Wunderground is experiencing technical difficulties that mirror the MTA subway delay announcements so much that they had me cracking up.

Most importantly, Nevermoor is filled with memorable magic and a story that I can’t wait to keep reading! My one concern is that it’s going to be difficult for the following books in the series to live up to the standard of book number one!


VERDICT: 4.5 out of 5 books

Review: Caraval by Stephanie Garber

Alexis: Read 3/2/19

Unfortunately, I found Caraval so much worse than The Night Circus. I know a lot of comparisons have been drawn between the two books, so I thought I would give you my own.

The Night Circus is beautifully written, with lush and lyrical descriptions, but is very slow moving and has a sparse plot. I can’t say the same thing about Caraval’s writing. It felt middle-grade (and not in a creative way) and cliché. However, it is fast-paced and there is a layered plot. Both books have insta-love, though I have to say the relationship in Caraval actually felt more convincing.

So let’s delve more into Garber’s writing. Throughout the book, she relies on one particular, peculiar type of metaphor: the insert color was insert emotion. Here’s an example: “…a blaze of shimmery gold, the color of magic and wishes and promises of things to come” (14). Here’s another: “A ruby welt bloomed across his cheek. The color of rage and punishment” (45). Here’s a third: “…a rich cerise—the color of seduction and secrets” (660).

I usually love repetition, whether in motifs, anaphora, etc. But the repetition of these metaphors drove me crazy. They’re cliché and terrible and made me say “really??” out loud too many times. And none of them even made sense!

Another thing that drove me crazy was that half of the plot was predictable. You know from the beginning that Scarlett is going to get together with Julian. There was only one plot point towards the end that I didn’t see coming.

As for the characters, I only liked Julian, but only because he’s the only character with somewhat of an interesting personality. He’s your classic “dark and handsome but is he good or bad?” type of guy with Edward-Twilight caramel eyes: “light brown, the color of caramel and liquid amber lust” (172). The descriptions of him were super cringey.

I found Scarlett to be too whiny and annoying, and Donatella wasn’t much better. Even their names seemed to get in the way of the story; it was as if their names drew too much attention from it. It doesn’t help that Scarlett’s name is also a color, so her name is thrown around with all of the cringey color metaphors. One of the characters even says of Scarlett, “You’re so dramatic, you would’ve made a fantastic performer” (308). And god, was he right.

The dialogue doesn’t have any subtext. I absolutely hated that Governor Dragna is described as dragon-like. And I could’ve cared less about the plot of this book.

I think the one word that sums up this book is cringeworthy. I really wanted to like it, I enjoyed how the book opened up with letters, and I initially though Garber’s worldbuilding was good (in the first 10 pages). But this obviously wasn’t the book for me.

VERDICT: 1 and ½ out of 5 books

Alexis’ Target Book Haul!

Time for a book haul! I ran to Target last night (in the pouring rain) because I needed cookie dough ice cream.

I told myself I was only going to read library books for a while, but both King of Scars and Pachinko were 20% off. Whoops!

These are two of my highly antipcated reads and I can’t wait to crack them open, after I’ve finished my library books, of course.

Review: The Night Tiger by Yangsze Choo

Alexis: Read 2/27/19

The Night Tiger is a fascinating blend of magical realism, historical fiction, romance, and murder mystery. It follows two main characters: Ji Lin and Ren. Ji Lin is the apprentice of a dressmaker who is also secretly a dance-hall girl. Ren is an eleven-year-old houseboy who recently switched masters due to his old master’s death. Their lives come together when Ji Lin finds a severed finger and tries to figure out where to return it.

I love that the book is set in 1930’s colonial Malay, now modern Malaysia. This makes for a rich and cultural setting, and I loved reading about the different languages spoken and the foods eaten. I loved Choo’s descriptions of clothing from Ji Lin’s point of view, and how she showed England’s rule and influence over the culture of Malay.

Throughout the book, Choo focuses on the superstitions based on chinese numbers, as well the folklore of weretigers. She even includes a section explaining these at the end of the book, which I wish were placed before the book as pretext, but I still appreciated her including them at all.

The first 30 pages were a little slow, and I had to get used to Choo’s writing style and tone. But then I was hooked. This isn’t a fast-paced book, and the mystery is revealed slowly. Though the main plot is fairly slow, there were enough subplots to hold my attention.

I loved Ji Lin as a character. She’s a classic modern day heroine in 1930’s Malaysia, yet she also fits in perfectly in the time period. She’s intelligent and clever and isn’t afraid to speak her mind. Yet, unlike where a lot of strong female characters seem to fail, she is still feminine and caring. I also really enjoyed Shin, her step brother’s, character. I found he and Ji Lin to have a lot of chemistry, and I found their relationship moved in a natural direction.

What I didn’t like about the book: the switching POVs. Ji Lin’s chapters were first person, past tense, while Ren’s chapters were in third person, present tense. And every once in a while, I was thrown into William Acton’s POV (Ren’s new master). It would have served the book better if both Ji Lin and Ren’s chapters were in first person, or, honestly, if the whole book was in Ji Lin’s perspective. Sometimes Ren felt like an afterthought.

I really enjoyed The Night Tiger’s setting, atmosphere, and characters. I wish the ending had tied up some of the loose ends, but overall, this was an interesting and unique read. Just don’t read it if you get queasy at the mention of severed fingers!

VERDICT: 4 out of 5 books

 

SPOILERS BELOW:

I’m not really even sure how to address the twin issue. Why do authors always feel like one of the twins has to be dead? I enjoyed Ren’s “cat whiskers” sense, but Yi’s role in the story was kind of “eh” for me.

I actually really liked the fact that Ji Lin and Shin fell in love. Their relationship, and the progression of their relationship, felt very real to me, and I loved the dynamic. I didn’t find it weird because they were so close and important to each other and not actually related.

However, I wasn’t a fan of how Shin’s character progressed. He professed his love for Ji Lin, only to beg her to have sex with him…? It felt completely out of character, as Shin was nothing but respectful towards Ji Lin, and even though he was portrayed as a womanizer, I knew from the beginning that it was obviously just a front. I felt like their almost-bedroom scene could have gone very differently. But, in the end, I was glad Ji Lin stood up for herself and decided to wait on marriage and pursue a career. It felt true to her character.

 

Review: My Absolute Darling by Gabriel Tallent

Anna: I’m finding this book very difficult to review. I love how detail-oriented the writing is and how Turtle’s internal dialogue dominates and drive the narrative. However, this book is hard to get through because of the horrific violence.

This is a survival/escape story. Strong warning for sexual, emotional, and physical abuse.

Tallent does a great job of building Turtle as a character, and we see her grow throughout the book. Turtles self-deprecating internal dialogue is really unique and shows the true impact of her dad’s abuse.

Turtle slowly realizes the extent of her father’s abuse. Part of what makes her realize she needs to leave is when she gets her period and therefore realizes she can get pregnant. She also helps realize that she needs to leave through her relationships with other characters, as she was isolated from other people for so long. Her romantic relationship with Jason is obviously a big part of this, too.

I like how Turtle ultimately defeated/escaped Martin with a skill that he taught her, i.e. shooting. It’s also her final revenge for so many things that he forced her to do, like making her shoot Cayenne. This showdown in also foreshadowed in the way that Turtle takes meticulous care of her gun and her knife, while Martin is so careless with his. It feels like Turtle finally takes ownership of herself. It feels full-circle.

I liked the ending. The fact that Turtle can’t even think about progressing in her relationship with Jason is realistic and I’m so glad Tallent ended it that way. I wouldn’t have believed it if they’d had a fairytale ending and if Turtle could automatically express her love for him. This also shows, like with the last scene with Anna and Turtle, that it’s going to take time for Turtle to recover from what’s happened to her, and that she never completely will.

Here’s what I had problems with:

There are lots of moments when it’s very apparent that the author is an adult male writing about prepubescent female anatomy, which honestly creeps me out. The way Turtle gets her first period IS NOT REALISTIC AT ALL. I thought she was having a miscarriage! There are so many scenes that are so cringy and obviously written by someone who does not possess female anatomy.

What in the world happened with the ocean, when Turtle and Jason got sucked out to sea? That scene is so abrupt and confusing that I had no idea what was happening, and I actually thought they were getting caught in a tsunami! Though I see the merit of stranding Turtle and Jason together on a cliff to grow their relationship, I still found this whole scene unnecessary and distracting (and not to mention so confusing). We know Turtle is tough and can survive in the wild and we don’t need to see it again here. I think a quieter bonding scene between Turtle and Jason would have been more effective.

I think there needed to be more Anna and Caroline. Both these women are presented as mother figures, yet they’re hardly developed. Anna’s character especially isn’t believable. As soon as she was introduced as the caring teacher I knew she would be the savior in the end. But then she’s hardly in the rest of the book, and she doesn’t even try to do anything when Turtle just disappears from school!

I wanted more about what happened to Turtle’s mom as well as more about the general past. For instance, Martin kept referring to another time when Turtle ran away, but we never get to see it as a reader. We’re told that Turtle’s mom killed herself to escape from Martin’s abuse, but that’s it. That’s also why I didn’t believe the bits about Caroline. If she was so close to Turtle’s mom, she had to have suspected something!

Mostly glaringly, there are bits of this book that feel violent for the sake of being violent. I think there’s a fine line between showing how something really is to bring light to an issue and exploiting it. Though Martin is clearly an awful person, this book sometime toed that line. Everything is shown to the reader, and it’s horrifying.

While I found I couldn’t put this down, there were aspects of this book that are so repelling and misguided that I can’t stand behind the book as a whole. I would love to hear other opinions from people who have read this!

VERDICT: 3 stars

#tbt- Kindred by Octavia Butler

Alexis:

In honor of Black History Month, I wanted to take some time to talk about an important writer.

Last year, I read Kindred by Octavia Butler, the pioneer of African-American women science fiction writers.

Kindred deals with a smorgasbord of hard topics: slavery, racism, rape, and death. Butler utilizes time travel in order to explore the ancestors of Dana, the main character, who were slaves in the American South. The result is a harrowing read that explores the horrors of slavery and the interconnection of past and present.

If you’re looking for a good read to finish out the month of February, check it out!

 

Alexis’ Library Haul: Part 2

Alexis: The little snow that we got turned into mush and then rain, so I was able to get my library books! Here’s a library haul part 2.

  • Ruin and Rising by Leigh Bardugo
  • The Afterlife by Thomas Pierce
  • Caraval by Stephanie Garber
  • The River of Doubt by Candice Millard

For a change of pace, I’m intersecting my fantasy reads with some different genres! Even though I love fantasy and YA fantasy, I’m tired of the same tropes being recycled (I’m looking at you, love triangle). Sometimes I need to take a break and read something different. 

Review: Shadow and Bone; Siege and Storm by Leigh Bardugo

Alexis:

I’ve dedicated this past week to reading the first two books in the Shadow and Bone Trilogy, and hopefully I can get the last book from the library next week!

I read the Six of Crows Duology last year and I absolutely loved it, so I was looking forward to reading the first books in Bardugo’s Grishaverse.

I seem to agree with everyone else (at least on Goodreads) that the second book in the trilogy is better than the first. I was surprised to find that the first book relied on some tropes, the most prevalent of which is the love triangle. However, I thought that Shadow and Bone did a great job when it came to worldbuilding and introducing the Grisha’s powers. 

The second book’s plot is much more intricate than the first. It honestly reminds me of The Hunger Games. Politics come into play, and Alina starts to become a powerful symbol of hope. I enjoyed the new characters that were introduced, but I felt like Mal’s character wasn’t as strong as he was in the first book. However, Bardugo’s keen sense of humor comes out more in the second book.

Minor spoilers below:

One of the biggest issues I have with the two books is the way that male characters interact with Alina, which, unfortunately, only gets worse in Siege and Storm. Multiple male characters touch and kiss Alina without her consent, and the way the Darkling interacts with her makes me sick. In Siege and Storm, no one respects that Alina and Mal are in a relationship, and she gets kissed and even gets marriage proposals. I understood all of this happens for plot reasons, but here Alina is, in a different love triangle than in the first book, and she even enjoys the attention from Nikolai.

I feel like I say this in every review, but despite my issues with the books, I did enjoy reading them. I love the Grishaverse and I’m interested to see where the third book goes. I just can’t help comparing this series to the Six of Crows Duology. It’s interesting to see how much Bardugo’s writing has evolved.

Shadow and Bone: 3 out of 5 books

Siege and Storm: 4 out of 5 stars