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DNF: Gingerbread by Helen Oyeyemi

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Alexis: Happy World Book Day, everyone! Unfortunately, I think I jinxed myself, because I had to DNF Gingerbread.

The first couple of pages were wonderful. I loved the descriptions of the gingerbread, and Oyeyemi’s imagery and writing is fresh and lyrical.

Unfortunately, even though I love magical realism, Gingerbread is just too abstract. This book doesn’t have a clear plot, which I know is on purpose, but it’s just too atmospheric and all over the place for me. I wasn’t super invested in the characters, and talking dolls never fail to creep me out, even if they’re not supposed to be creepy! The real story begins around page 50, but by 10 pages into it, I didn’t have the energy to continue reading.

I hesitate to give this book too bad of a rating, though. Oyeyemi is clearly a talented writer, and this is a niche book that I can see certain people loving.

VERDICT:

Plot and style: 1 star

Characters: 2 stars

Writing and voice: 5 stars

Review: Cruel Beauty by Rosamund Hodge

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Alexis: Read 4/16/19

Why do I always really enjoy the first half of a book, only to really dislike the second half? That’s how I felt about Cruel Beauty.

Cruel Beauty is a Beauty and the Beast retelling. I’m a fan of fairytale retellings, and I actually took a seminar on Beauty and the Beast while I was in college. But what’s different about this retelling is that it blends the fairytale with Greek and Roman mythology and history.

The story is set sometime after the fall of Rome in Romana-Graecia, in a fictional land called Arcadia that was cut off from the rest of the world and held captive underground by the Gentle Lord. The Gentle Lord makes cruel bargains with the people of his land and sometimes sets his demons on them. The Greek and Roman influence was an interesting change of pace, as the original Beauty and the Beast story is from France. I love Greek mythology, and I loved the mix of Latin and Greek terms, history, and terminology. The stories told in the book took me back to my Latin classes.

In this book, the magic is called the Hermetic arts. The main character, Nyx, was trained by her father in this art, which is connected to the four elements. Nyx can use sigils to sort of control the “hearts” of each symbol. While this sounds interesting, not only was the magic never explained any deeper, but it was never useful in the story.

Here’s a basic outline of the plot: When Nyx’s parents couldn’t have children, Nyx’s father made a bad bargain with the Gentle Lord. Nyx’s mother bore twins but died in childbirth. The Gentle Lord required that Nyx be married to him, while Nyx’s sister could live free for the rest of her life. So the book opens up with Nyx marrying the Gentle Lord, who’s also called Ignifex.

I really did enjoy the first half of the book. All of the original aspects of Beauty and the Beast are there: the roses, the mirror, the enchanted castle, the question every night, and a beastly prince of sorts. Nyx’s mission is to kill Ignifex in order to save her land from his terrible reign. The first half focuses on her exploring the castle and trying to find its Hermetic hearts, which was my favorite part of the story.

I wasn’t a huge fan of Nyx, who mostly complained about her tragic fate and battled with her intense hate for her family and Ignifex. But I appreciated that she was a strong female character who made her own choices and expressed her strong emotions. Her relationship with her sister was weird, and as a twin myself, it didn’t feel like a true twin relationship, though some of it was intentional due to the characters’ circumstances. To be honest, I wasn’t a huge fan of any of the characters except for Shade.

As for the second half, there’s a really weird love triangle that didn’t work for the story. The plot starts to go downhill and then becomes convoluted. Nyx and Ignifex’s relationship is abusive, with Nyx hitting him basically every chapter and Ignifex being emotionally abusive. Nyx remembers an important plot-point only to forget about it until the very end, which was supremely annoying. There’s no clear antagonist. And the ending has a weird alternative time thing that’s even hard to describe.

I obviously have a lot of thoughts about this book. I was pleasantly surprised by the first half and disappointed in the second half. If the ending was different, this would’ve been a solid read!

VERDICT: First half: 4 stars

Second half: 2 stars

Total: 3 stars

Used Bookstore Haul

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Alexis:

A bookstore where everything is $3 or under? Yes, please! I picked up four books, the max I should probably put in my suitcase, from Lucky Dog Books in Dallas, Texas. My boyfriend, who reads nonfiction/business books, found 5 books!

  1. On Gold Mountain by Lisa See
  2. Cruel Beauty by Rosamund Hodge
  3. Water Wings by Kristen den Hartog
  4. Rose’s Garden by Carrie Brown

Review: Idlewild by Nick Sagan

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Alexis: Read 4/7/19

A teenager wakes up in the middle of a pumpkin patch with amnesia. He doesn’t know who he is, where he is, or what’s going on. He only knows that he was shocked so badly that he couldn’t move, causing his amnesia, and that he knows someone named Lazarus is dead, and someone just tried to kill him, as well.

Idlewind is like a mix between The Matrix and The Maze Runner. I don’t usually go for sc-fi, but I found myself enjoying the change of pace. I truly loved the beginning of the book. I found it really original and creative, and I enjoyed Sagan’s worldbuilding. I loved learning about Halloween’s character alongside him as his memory slowly started to resurface. I liked Sagan’s conversational writing style and I found Halloween’s gothic character interesting.

I also enjoyed the structure of the book. The majority of the book is in first person from Halloween’s POV, while excerpts in the beginning of each chapter focus on characters from the past. Sections called “Pace Transmission”s intersect the chapters. At first, these make no sense, but I found them helpful as the book progresses.

It’s hard to talk about this book without giving anything away. I feel like it’s best to go into it without knowing much. My overall consensus of the book is that I loved the first ¾ of it, including the plot twists and reveals, but thought the ending fell flat. I also wasn’t a fan of how the characters progressed, and I also didn’t like the characterizations of the female characters. In that regard, Idlewild feels very early 2000’s.

However, if you’re in the mood for a creative, apocalyptic sci-fi read with a large dash of virtual reality, I definitely recommend it. Most of the book was 4 stars for me, but the ending knocked it down ½ a star.

VERDICT: 3 ½ stars

 

SPOILERS BELOW:

 

My biggest issue with the ending was the reveal of Mercutio as Lazarus’ killer. I felt like there wasn’t any buildup or real evidence or motivations for this to make sense. I also didn’t feel like I knew the secondary characters well enough, especially since Halloween himself was still figuring everyone else out. Because of this, Simone and Mercutio’s deaths didn’t affect me, and I’m not really sure I want to continue reading the series. Halloween’s reaction to the ending felt a bit melodramatic, even for his already melodramatic character.

Alexis’ April tbr Stack

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🌺Alexis’ April #tbr stack🌺

Did March fly by for anyone else? I kind of wanted winter to be longer; I’m not ready for all this pollen.

FYI: All of these books are secondhand!

  1. Airborn by Kenneth Oppel
  2. Better Than Fiction, Edited by Don George
  3. Idlewild by Nick Sagan
  4. A Court of Thorns and Roses by Sarah J. Maas

Review: King of Scars by Leigh Bardugo

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Alexis: Read 3/24/19

I loved the first half of this book. I loved Nikolai’s internal (and sometimes external) battle within himself. I enjoyed learning more about Zoya: her past, her innermost feelings, her motivations. And at first, I rejoiced in Nina’s chapters, especially after her ending in Crooked Kingdom.

King of Scars is told in third person from various perspectives, including Nikolai, Zoya, Nina, and a man named Isaak. I’m glad Bardugo decided on third person, as I think it worked perfectly for the world in Six of Crows, and ultimately served a better purpose than the first person of the Shadow and Bone Trilogy.

I enjoyed the masterful worldbuilding and name dropping of characters from previous books. Bardugo has really cemented the Grishaverse. And I really enjoyed how the plot was building. However, the second half started to meander. Zoya ended up being the primary character, rather than Nikolai himself. The book’s title is literally Nikolai’s nickname, and yet he sometimes gets lost in the sea of other characters.

I honestly wanted to skip over Isaak’s chapters; I felt like his information could have been revealed later and it would have served the book better, even if the the reader wouldn’t get to know him as a character. But I really just didn’t care about him.

Nina’s chapters began to feel drawn out. As much as I enjoy her as a character, I found myself wanting to stay with Zoya and Nikolai’s storylines. I almost wanted Nina’s chapters to be separated from the rest of the story, maybe as its own short book.

My primary concern, besides Nikolai not being as center stage as I wanted him to be, was where the plot ended up. It was building up to such a great place, but then the ending ruined it for me. I’ll avoid spoilers here and go more into that below.

This book definitely felt like a follow-up to the Shadow of Bone trilogy, which I didn’t like nearly as much as the Six of Crows duology. I was hoping for more of a Six of Crows feel, with the masterfully crafted plot and characters. I just wish the book had only switched in POV from Nikolai to Zoya and that the plot was…different. Even with my mixed feelings, I still love the characters and Bardugo’s world, and I flew through this book.

The first half of the book: 5 stars. Second half: 3 stars

VERDICT: 4 stars

 
SPOILERS BELOW:

I felt like most of the plot reveals in the second half of the book were a little too coincidental. Hanne just happens to be the daughter of Brum? The Saints just happen to be alive with the answers to a greater power for Zoya? And the biggest of all: the Darkling’s comeback. It felt like a cop-out to me. I wanted something as equally as dark to be the main antagonist, but I wanted something different. The Darkling’s story was supposed to be over. With all the tumultuous politics going on, I just felt like the ending could’ve gone in a different and better direction.

 

 

Review: Pachinko by Min Jin Lee

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Alexis: Read 3/17/19

Well, this book is certainly a saga. It feels like three different books, because really, it is. Pachinko covers four generations of the same family, from the early 1900’s to the 80’s. The story opens with Sunja, a Korean peasant, who meets a wealthy businessman and forms a relationship with him. When Sunja becomes pregnant, she finds out that the businessman is already married. So instead, she accepts a generous offer of marriage from Isak, a sickly Protestant preacher.

The amount of detail Lee manages to pack into this book is astounding. She covers the historical and political aspects of each time period. The book especially focuses on what it means to be Korean during a time when the country is taken over by the Japanese and then later split into two. Her characters deal with the dysphoria that they feel as Koreans living in Japan, as well as discrimination. I really enjoyed learning about the history and culture of Korea, and I could really go for some Korean or Japanese food right about now!

While extremely detailed, Pachinko is written matter-of-factly, with no flowery descriptions. Lee writes from a distant, omniscient point of view. At the end of the book, Lee discusses her reasoning behind this. She says, “‘Fair’ seems like a simple word, but I think because my subject matter is so troubling and controversial, I wanted my narrator to be as objective as possible” (494). Lee certainly achieves this, as the book, especially the first half, almost reads like a historical account. At first, I found the tone off-putting. But once the book became more political, I understood the need for distance. Still, that doesn’t neglect the fact that I prefer to get more into characters’ heads and emotions. I love character-driven stories, and while this was that, I never felt too involved in the characters’ lives.

For example, Lee has a bad habit of simply stating “and then he died.” When she did this in the beginning of the book with Yoonie, Sunja’s father, I did a double-take. She nonchalantly stated his death and they hardly went into it in the next chapter, and she repeats this throughout the book. While I understand her distance, as a reader, this was very off-putting. I wanted to feel each death and life-changing event the way the characters did.

Overall, I really enjoyed this book, even if I had to enjoy it in chunks. I learned a lot about Korea’s history and the history of misplaced Koreans. I really don’t know how to rate it as a whole, as it covered so much ground.

History and detail: 5 stars

POV and writing style: 2 stars

Characters: 4 stars

Review: The Afterlives by Thomas Pierce

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Alexis: Read 3/7/19

This book had an interesting premise, so why not check it out? After a cardiac arrest episode that leaves him legally dead, Jim Byrd lives with a device called the HeartNet. The HeartNet will continue to pump his heart if another cardiac arrest occurs. But now Jim is faced with his own mortality, and can’t help thinking about the afterlife. He and his new wife, Annie, try to figure out the afterlife by attending a new church called the Church of Search, by ghost hunting, and by tracking down a woman who claims she has a machine that will allow you to talk to the dead.

The story is in first person, told by Jim himself. But snippets of the past intersect his story. These snippets are in third person, following a cast of characters who lived in an old house, which is now a haunted restaurant. Jim and Annie aren’t sure why the house is haunted, though one of the house’s former owners, Clara, had a dog who died in a fire. I really liked these snippets into the past and thought it was an interesting choice to include them in the story.

I also really enjoyed Pierce’s writing style. His writing is conversational, and his sentences all have a pleasing cadence. Every character is a round character, with their own idiosyncrasies and passions and opinions on the afterlife.

The book has a small frame that mimics stage directions of a play. I found this fitting, as Annie is a playwright:

“Exit heartbeat. / Exit breath. / Exit every mood, every memory. / Exit you. / To where” (3)?

I enjoyed the sections about the ghost hunt, the machine, and Jim’s musings on life and death, which includes heart worries and panic attacks. There wasn’t much of a plot, and a lot of the middle section was spent on interactions with minor characters and minor plot points. Most of the book almost felt like a memoir or character study of Jim’s life. I enjoyed the beginning and the end, but I felt like 100 pages could’ve been cut out of this book and it would’ve made it more impactful.

The book also takes on a sci-fi edge, with the machine and the inclusion of holograms becoming a part of normal life. The book stretches over decades of Jim’s life, including decades into the future, but I found the holograms an odd choice for the book. Maybe they’re supposed to be symbols, like ghosts, in between life and death?

VERDICT: 3 out of 5 books

Review: Caraval by Stephanie Garber

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Alexis: Read 3/2/19

Unfortunately, I found Caraval so much worse than The Night Circus. I know a lot of comparisons have been drawn between the two books, so I thought I would give you my own.

The Night Circus is beautifully written, with lush and lyrical descriptions, but is very slow moving and has a sparse plot. I can’t say the same thing about Caraval’s writing. It felt middle-grade (and not in a creative way) and cliché. However, it is fast-paced and there is a layered plot. Both books have insta-love, though I have to say the relationship in Caraval actually felt more convincing.

So let’s delve more into Garber’s writing. Throughout the book, she relies on one particular, peculiar type of metaphor: the insert color was insert emotion. Here’s an example: “…a blaze of shimmery gold, the color of magic and wishes and promises of things to come” (14). Here’s another: “A ruby welt bloomed across his cheek. The color of rage and punishment” (45). Here’s a third: “…a rich cerise—the color of seduction and secrets” (660).

I usually love repetition, whether in motifs, anaphora, etc. But the repetition of these metaphors drove me crazy. They’re cliché and terrible and made me say “really??” out loud too many times. And none of them even made sense!

Another thing that drove me crazy was that half of the plot was predictable. You know from the beginning that Scarlett is going to get together with Julian. There was only one plot point towards the end that I didn’t see coming.

As for the characters, I only liked Julian, but only because he’s the only character with somewhat of an interesting personality. He’s your classic “dark and handsome but is he good or bad?” type of guy with Edward-Twilight caramel eyes: “light brown, the color of caramel and liquid amber lust” (172). The descriptions of him were super cringey.

I found Scarlett to be too whiny and annoying, and Donatella wasn’t much better. Even their names seemed to get in the way of the story; it was as if their names drew too much attention from it. It doesn’t help that Scarlett’s name is also a color, so her name is thrown around with all of the cringey color metaphors. One of the characters even says of Scarlett, “You’re so dramatic, you would’ve made a fantastic performer” (308). And god, was he right.

The dialogue doesn’t have any subtext. I absolutely hated that Governor Dragna is described as dragon-like. And I could’ve cared less about the plot of this book.

I think the one word that sums up this book is cringeworthy. I really wanted to like it, I enjoyed how the book opened up with letters, and I initially though Garber’s worldbuilding was good (in the first 10 pages). But this obviously wasn’t the book for me.

VERDICT: 1 and ½ out of 5 books

Review: The Night Tiger by Yangsze Choo

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Alexis: Read 2/27/19

The Night Tiger is a fascinating blend of magical realism, historical fiction, romance, and murder mystery. It follows two main characters: Ji Lin and Ren. Ji Lin is the apprentice of a dressmaker who is also secretly a dance-hall girl. Ren is an eleven-year-old houseboy who recently switched masters due to his old master’s death. Their lives come together when Ji Lin finds a severed finger and tries to figure out where to return it.

I love that the book is set in 1930’s colonial Malay, now modern Malaysia. This makes for a rich and cultural setting, and I loved reading about the different languages spoken and the foods eaten. I loved Choo’s descriptions of clothing from Ji Lin’s point of view, and how she showed England’s rule and influence over the culture of Malay.

Throughout the book, Choo focuses on the superstitions based on chinese numbers, as well the folklore of weretigers. She even includes a section explaining these at the end of the book, which I wish were placed before the book as pretext, but I still appreciated her including them at all.

The first 30 pages were a little slow, and I had to get used to Choo’s writing style and tone. But then I was hooked. This isn’t a fast-paced book, and the mystery is revealed slowly. Though the main plot is fairly slow, there were enough subplots to hold my attention.

I loved Ji Lin as a character. She’s a classic modern day heroine in 1930’s Malaysia, yet she also fits in perfectly in the time period. She’s intelligent and clever and isn’t afraid to speak her mind. Yet, unlike where a lot of strong female characters seem to fail, she is still feminine and caring. I also really enjoyed Shin, her step brother’s, character. I found he and Ji Lin to have a lot of chemistry, and I found their relationship moved in a natural direction.

What I didn’t like about the book: the switching POVs. Ji Lin’s chapters were first person, past tense, while Ren’s chapters were in third person, present tense. And every once in a while, I was thrown into William Acton’s POV (Ren’s new master). It would have served the book better if both Ji Lin and Ren’s chapters were in first person, or, honestly, if the whole book was in Ji Lin’s perspective. Sometimes Ren felt like an afterthought.

I really enjoyed The Night Tiger’s setting, atmosphere, and characters. I wish the ending had tied up some of the loose ends, but overall, this was an interesting and unique read. Just don’t read it if you get queasy at the mention of severed fingers!

VERDICT: 4 out of 5 books

 

SPOILERS BELOW:

I’m not really even sure how to address the twin issue. Why do authors always feel like one of the twins has to be dead? I enjoyed Ren’s “cat whiskers” sense, but Yi’s role in the story was kind of “eh” for me.

I actually really liked the fact that Ji Lin and Shin fell in love. Their relationship, and the progression of their relationship, felt very real to me, and I loved the dynamic. I didn’t find it weird because they were so close and important to each other and not actually related.

However, I wasn’t a fan of how Shin’s character progressed. He professed his love for Ji Lin, only to beg her to have sex with him…? It felt completely out of character, as Shin was nothing but respectful towards Ji Lin, and even though he was portrayed as a womanizer, I knew from the beginning that it was obviously just a front. I felt like their almost-bedroom scene could have gone very differently. But, in the end, I was glad Ji Lin stood up for herself and decided to wait on marriage and pursue a career. It felt true to her character.