Review: The Wildlands by Abby Geni

Alexis: Read 1/4/19

I’m not too fond of prologues, but I found the prologue of The Wildlands to be the perfect introduction to the book. It describes, in detail, Cora’s first memory: the category 5 tornado which destroyed her childhood home and left her, and her siblings, an orphan. I loved Geni’s descriptions from the start. When Cora looks outside before the tornado strikes, the sky has turned green: “…I glanced out the window and saw the Oklahoma sky soaked with a new color. Damp jade. Split pea soup. Moss on stone.”

I was involved in each character’s storyline, especially Cora and Darlene’s, but also Roy’s and even Tucker’s, despite his violence. Geni captures emotions well, whether through her character descriptions or the descriptions of the harsh and barren Oklahoma landscape. She paints a picture of loss, poverty, and family. Many scenes in this book are vividly dark and disturbing, and Geni does a good job of showing how they affect Cora both psychologically and physically. Geni’s writing style mimics the sense of loss that follows the characters throughout the book. Despite the plot, The Wildlands is more of a character-driven story.

Cora’s relationship with her sisters feels raw, real, and appropriate for a nine-year-old. Her relationship with Tucker, however, is borderline obsessive. I couldn’t blame Cora for this, considering her painful childhood, but it was still disturbing at times.

I’m an animal lover, and I found Tucker’s theories about animals and mass extinction interesting yet terrifying. Seeing his thought process was an interesting insight in how someone’s interests can turn into a dangerous and radical obsession. The scenes with the animals towards the end of the book are surreal and poetic.

I understand why Geni includes the epilogue, but I felt like it was unnecessary. The book ended on the right note, but the epilogue drew away from it.

All in all, this was a well-written and thought-provoking read.

VERDICT: 4 and ½ out of 5 books

Review: The Light We Lost by Jill Santopolo

Alexis:

I liked the first half of The Light We Lost—not the prologue, but I’m not really a fan of prologues unless they give important historical/background information.

The book is written in first person in the eyes of the main character, Lucy. Throughout the book, she addresses a “you,” which refers to her first love, Gabe. Each chapter ends with Lucy posing a question, or a series of questions, to Gabe. At first, I liked this formatting, but it got repetitive and old fast.

The beginning of the book focuses on their relationship, which lasts just over a year. Their relationship is a classic first love relationship. Lucy and Gabe are infatuated with each other, and their relationship mostly focuses on their physical chemistry. They share their hopes and dreams with each other while living in New York City.

Then they break up. I liked reading about Lucy’s grief and seeing how she deals with her loss. Lucy moves on; Lucy meets another guy. Yet Gabe is ever-present, whether in the back or the front of her mind. Even five, ten years down the road, all Lucy can think about is Gabe, and this begins to feel repetitive and, frankly, annoying.

I kept yelling (metaphorically, of course), “Lucy, you are a grown, married woman! Get a grip and stop only thinking about yourself!”

And, ultimately, this is what I have a problem with in the second half of the book. The characters become self-absorbed and predictable. I simply didn’t care about them anymore. The plot rambles, and most of it deals with Lucy’s feelings of insecurity in her relationship and her life.

Of course. That was my first thought about the ending: of course that’s how it would end. I might have been on board if Lucy finally changed at the end, if she grew up and accepted what wasn’t meant to be, but she didn’t.

VERDICT: 3 out of 5 books