Review: The Goldfinch by Donna Tartt

Today I’m introducing a new favorite book! Check out my full spoiler-free review on our blog (link in bio!) My mom read this years ago and tried to get me to read it at the beach, but The Goldfinch is so incredibly detail-heavy that I couldn’t get into it. After reading The Secret History last year, I decided to give The Goldfinch another try.

I’m glad I did! This book is quite a feat to get through, but it’s worth the journey a hundred times over (and it made me miss New York so much!) If you like long and sweeping coming-of-age stories, this is the book for you. Like The Secret History, The Goldfinch is especially drug-heavy and most certainly not any easy read. I knew vaguely it was about art history when I started, but I never imagined the twists and turns this would take, or the impression it would leave!

What I love most about The Goldfinch is our protagonist, Theodore (Theo) Decker. Struck by tragedy in the first chapter (and then again, and again) some would say that he has an incredibly unlucky life. He makes someone bad choices that oftentimes you want to hit him over the head and scream, “What are you doing?” It’s his own difficult life and the messy relationships with the other characters–especially Boris, Pippa, Hobie, and even Popper–that give this book such a spark of life. When it was over, I’d spent so much time getting to know the characters that I didn’t want it to end!

The Goldfinch explores fate, grief and loss, the complexities of friendship, loyalty, and morality, the price of freedom, and the importance of fine art and historical objects of meaning. By the end I felt exhausted, but in the best way.

However, this book is A BRICK, which is why I found it easier to listen to on audio. The narrator did an incredible job making each character sound unique. I never would have been able to imagine Boris’s accent if I’d read this on my own.

VERDICT: 5 books! 

 

Review: The Wildlands by Abby Geni

Alexis: Read 1/4/19

I’m not too fond of prologues, but I found the prologue of The Wildlands to be the perfect introduction to the book. It describes, in detail, Cora’s first memory: the category 5 tornado which destroyed her childhood home and left her, and her siblings, an orphan. I loved Geni’s descriptions from the start. When Cora looks outside before the tornado strikes, the sky has turned green: “…I glanced out the window and saw the Oklahoma sky soaked with a new color. Damp jade. Split pea soup. Moss on stone.”

I was involved in each character’s storyline, especially Cora and Darlene’s, but also Roy’s and even Tucker’s, despite his violence. Geni captures emotions well, whether through her character descriptions or the descriptions of the harsh and barren Oklahoma landscape. She paints a picture of loss, poverty, and family. Many scenes in this book are vividly dark and disturbing, and Geni does a good job of showing how they affect Cora both psychologically and physically. Geni’s writing style mimics the sense of loss that follows the characters throughout the book. Despite the plot, The Wildlands is more of a character-driven story.

Cora’s relationship with her sisters feels raw, real, and appropriate for a nine-year-old. Her relationship with Tucker, however, is borderline obsessive. I couldn’t blame Cora for this, considering her painful childhood, but it was still disturbing at times.

I’m an animal lover, and I found Tucker’s theories about animals and mass extinction interesting yet terrifying. Seeing his thought process was an interesting insight in how someone’s interests can turn into a dangerous and radical obsession. The scenes with the animals towards the end of the book are surreal and poetic.

I understand why Geni includes the epilogue, but I felt like it was unnecessary. The book ended on the right note, but the epilogue drew away from it.

All in all, this was a well-written and thought-provoking read.

VERDICT: 4 and ½ out of 5 books